THE ILLUSTRATED STORY OF SUN RECORDS AND THE 70 RECORDINGS THAT CHANGED THE WORLD Sun Records: the company that launched Elvis Presley, Jerry Lee Lewis, Johnny Cash, Roy Orbison, and Carl Perkins. This is where Rock 'n Roll was born. Written by two of the most acclaimed music writers of our time, The Birth of Rock n' Roll: 70 Years of Sun Records looks at this history of this legendary label through the lens of 70 of its most iconic recordings. Accompanying the recordings is the label's origin story and a look at the mission of the label today, as well as fascinating dives into subjects such as the legendary Million Dollar Quartet, and how the song "Harper Valley, PTA" funded the purchase of the label. Featuring hundreds of rare images from the Sun archives as well as a foreword by music legend Jerry Lee Lewis, this is a one-of-a-kind book for anyone who wants to know where it all started.

Written with grace, humor, and affection, Last Train to Memphis has been hailed as the definitive biography of Elvis Presley. It is the first to set aside the myths and focus on Elvis' humanity in a way that has yet to be duplicated. A New York Times Notable BookWinner of the Ralph J. Gleason Music Book Award "Elvis steps from the pages. You can feel him breathe. This book cancels out all others." --Bob Dylan From the moment that he first shook up the world in the mid 1950s, Elvis Presley has been one of the most vivid and enduring myths of American culture. Last Train to Memphis: The Rise of Elvis Presley is the first biography to go past that myth and present an Elvis beyond the legend. Based on hundreds of interviews and nearly a decade of research, it traces the evolution not just of the man but of the music and of the culture he left utterly transformed, creating a completely fresh portrait of Elvis and his world. This volume tracks the first twenty-four years of Elvis' life, covering his childhood, the stunning first recordings at Sun Records ("That's All Right," "Mystery Train"), and the early RCA hits ("Heartbreak Hotel," "Hound Dog," "Don't Be Cruel"). These were the years of his improbable self-invention and unprecedented triumphs, when it seemed that everything that Elvis tried succeeded wildly. There was scarcely a cloud in sight through this period until, in 1958, he was drafted into the army and his mother died shortly thereafter. The book closes on that somber and poignant note. Last Train to Memphis takes us deep inside Elvis' life, exploring his lifelong passion for music of every sort (from blues and gospel to Bing Crosby and Mario Lanza), his compelling affection for his family, and his intimate relationships with girlfriends, mentors, band members, professional associates, and friends. It shows us the loneliness, the trustfulness, the voracious appetite for experience, and above all the unshakable, almost mystical faith that Elvis had in himself and his music. Drawing frequently on Elvis' own words and on the recollections of those closest to him, the book offers an emotional, complex portrait of young Elvis Presley with a depth and dimension that for the first time allow his extraordinary accomplishments to ring true. Peter Guralnick has given us a previously unseen world, a rich panoply of people and events that illuminate an achievement, a place, and a time as never revealed before.

From the moment that he first shook up the world in the mid 1950s, Elvis Presley has been one of the most vivid and enduring myths of American culture.
"Last Train to Memphis: The Rise of Elvis Presley" is the first biography to go past that myth and present an Elvis beyond the legend. Based on hundreds of interviews and nearly a decade of research, it traces the evolution not just of the man but of the music and of the culture he left utterly transformed, creating a completely fresh portrait of Elvis and his world.
This volume tracks the first twenty-four years of Elvis' life, covering his childhood, the stunning first recordings at Sun Records ("That's All Right," "Mystery Train"), and the early RCA hits ("Heartbreak Hotel," "Hound Dog," "Don't Be Cruel"). These were the years of his improbable self-invention and unprecedented triumphs, when it seemed that everything that Elvis tried succeeded wildly. There was scarcely a cloud in sight through this period until, in 1958, he was drafted into the army and his mother died shortly thereafter. The book closes on that somber and poignant note.
"Last Train to Memphis" takes us deep inside Elvis' life, exploring his lifelong passion for music of every sort (from blues and gospel to Bing Crosby and Mario Lanza), his compelling affection for his family, and his intimate relationships with girlfriends, mentors, band members, professional associates, and friends. It shows us the loneliness, the trustfulness, the voracious appetite for experience, and above all the unshakable, almost mystical faith that Elvis had in himself and his music. Drawing frequently on Elvis' own words and on the recollections of those closest to him, the book offers an emotional, complex portrait of young Elvis Presley with a depth and dimension that for the first time allow his extraordinary accomplishments to ring true.
Peter Guralnick has given us a previously unseen world, a rich panoply of people and events that illuminate an achievement, a place, and a time as never revealed before. Written with grace, humor, and affection, "Last Train to Memphis" has been hailed as the definitive biography of Elvis Presley. It is the first to set aside the myths and focus on Elvis' humanity in a way that has yet to be duplicated.

Peter Guralnick's writings on music an musicians are unique in the literature of American popular culture. His first three books, Feel Like Going Home, Lost Highway, and Sweet Soul Music-which together form a sort of trilogy that has achieved classic status-trace twentieth-century American popular music to its roots by bringing to life the people, the songs, and the performances that forever changed not only the American music scene but America itself.

This stirring tribute to American roots music-country, rockabilly, and the blues-spotlights artists both celebrated and obscure, including Hank Snow, Bobby "Blue" Bland, Scotty Moore, Elvis Presley, Mickey Gilley, and Merle Haggard. Guralnick conveys the passion that drove these men to music-making and that kept them, determinedly and sometimes despairingly, on the road.

Careless Love is the full, true, and mesmerizing story of Elvis Presley's last two decades, in the long-awaited second volume of Peter Guralnick's masterful two-part biography.
"Last Train to Memphis," the first part of Guralnick's two-volume life of Elvis Presley, was acclaimed by the "New York Times" as "a triumph of biographical art." This concluding volume recounts the second half of Elvis' life in rich and previously unimagined detail, and confirms Guralnick's status as one of the great biographers of our time.
Beginning with Presley's army service in Germany in 1958 and ending with his death in Memphis in 1977, "Careless Love" chronicles the unravelling of the dream that once shone so brightly, homing in on the complex playing-out of Elvis' relationship with his Machiavellian manager, Colonel Tom Parker. It's a breathtaking revelatory drama that for the first time places the events of a too-often mistold tale in a fresh, believable, and understandable context.
Elvis' changes during these years form a tragic mystery that "Careless Love" unlocks for the first time. This is the quintessential American story, encompassing elements of race, class, wealth, sex, music, religion, and personal transformation. Written with grace, sensitivity, and passion, "Careless Love" is a unique contribution to our understanding of American popular culture and the nature of success, giving us true insight at last into one of the most misunderstood public figures of our times.

In his first collection of essays, Peter Guralnick dives deep into question at the heart of his body of work: What is the source of creativity? Spanning his decades-long career as America's foremost music scholar, this book brings us into the minds of the artists who inspire him. Looking to Get Lost brings the reader into Guralnick's one-of-a-kind relationships with his subjects, and we peek into how he was able to engage with musicians, writers, and creators as only he can: as a fan, a student, a peer, and in many cases as a friend.

This is the first volume of a two-volume biography of Elvis Presley, a book that justifies the importance of "The King" to American music and culture. It covers Presley's rise up to his mother's death in 1958. The Presley displayed is bright, articulate, energetic - a young man in a hurry with a very real sense of himself and his art, a man with a disdain for convention and yet a yearning for genteel respectability. This is not the Elvis Presley of tabloid headlines and chat show notoriety. Instead, it restores Elvis to his music, telling the story of a young man who, at 19, emerged as a full-blown artist to the wonder of his friends and the world.

Peter Guralnick's writings on music and musicians are unique in the literature of American popular culture. His first three books, Feel Like Going Home, Lost Highway, and Sweet Soul Music-which together form a sort of trilogy that has achieved classic status-trace twentieth-century American popular music to its roots by bringing to life the people, the songs, and the performances that forever changed not only the American music scene but America itself.

Here, in a narrative that captures all the tumult and liberating energy of a nation in transition, is the story of the legendary performers-among them Sam Cooke, Ray Charles, James Brown, Solomon Burke, Aretha Franklin, Otis Redding, and Al Green-who merged gospel and rhythm-and-blues to create sweet soul music.

Essential reading for anyone who loved Baz Luhrmann's biopic Elvis, starring Austin Butler and Tom Hanks Last Train to Memphis, the first part of Guralnick's two-volume life of Elvis Presley, received unprecedented accolades. This concluding volume recounts the second half of Elvis's life in rich and previously unimagined detail, and confirms Guralnick's status as one of the great biographers of our time. Beginning with Presley's army service in Germany in 1958 and ending with his death in Memphis in 1977, Careless Love chronicles the unraveling of the dream that once shone so brightly, homing in on the complex playing-out of Elvis's relationship with his Machiavellian manager, Colonel Tom Parker. It's a breathtaking drama that places the events of a too often mistold tale in a fresh, believable, and understandable context. This is the quintessential American story, encompassing race, class, wealth, sex, music, religion, and personal transformation. Written with grace, sensitivity, and passion, Careless Love is a unique contribution to our understanding of American popular culture and the nature of success, giving us true insight at last into one of the most misunderstood public figures of our times.

For many diehard music fans and critics, Oklahoma-born James Talley ranks among the finest of American singer-songwriters. Talley's unique style-a blend of folk, country, blues, and social commentary-draws comparisons with the likes of Woody Guthrie, Merle Haggard, and Johnny Cash. In this engaging, down-to-earth memoir, Talley recalls the highs and lows of his nearly fifty-year career in country music. Talley's story begins in the hardscrabble towns of eastern Oklahoma. As a young man, he witnessed poverty and despair and worked alongside ordinary Americans who struggled to make ends meet. He has never forgotten his Oklahoma roots. These experiences shaped Talley's artistic vision and inspired him to write his own songs. Eventually Talley landed in Nashville, where his first years included exciting brushes with fame but also bitter disappointments. As an early champion of social justice causes, his ideals did not fit neatly into Nashville's star-making machine. By his own admission, Talley at times made poor business decisions and trusted the wrong people. His relationship with the country music industry was-and still is-fraught, but he makes no apology for staying true to his core principles. Nashville City Blues offers hard-won wisdom for any aspiring artist motivated to work hard and handle whatever setbacks might follow. Readers will also gain valuable understanding about the country music industry and the inescapable links between commerce and artistry.

Rock 'n' roll was born in rural Alabama, 1923, in the form of Sam Phillips, the youngest son of a large family living in a remote colony called the Lovelace Community. His father had a gift for farming, which was brought to an end by the Depression. His mother picked guitar and showed the kind of forbearance that allowed her to name her son after the doctor who delivered him drunk and then had to be put to bed himself. And yet from these unprepossessing origins, in 1951 Phillips made what is widely considered to be the first rock 'n' roll record, Ike Turner and Jackie Brenston's 'Rocket 88'. Just two years later a shy eighteen-year-old kid with sideburns, fresh out of high school, wandered into his recording studio to make a record 'for his mother', secretly hoping that it might somehow get him noticed. His name was Elvis Presley. Elvis's success, and the subsequent triumph of rock 'n' roll, was initially propelled to an almost astonishing degree by a limited number of releases by Carl 'Blue Suede Shoes' Perkins, Johnny Cash and Jerry Lee Lewis - all from this tiny, one-man label. An engaging mix of biography and anecdote, Peter Guralnick's book brilliantly recreates one shining moment in the history of popular culture. And Sam Phillips was the man who brought it all about.

It covers old ground from new perspectives, offering deeply felt, masterful, and strikingly personal portraits of creative artists, both musicians and writers, at the height of their powers. "You put the book down feeling that its sweep is vast, that you have read of giants who walked among us," rock critic Lester Bangs wrote of Guralnick's earlier work in words that could just as easily be applied to this new one. And yet, for all of the encomiums that Guralnick's books have earned for their remarkable insights and depth of feeling, Looking to Get Lost is his most personal book yet. For readers who have grown up on Guralnick's unique vision of the vast sweep of the American musical landscape, who have imbibed his loving and lively portraits and biographies of such titanic figures as Elvis Presley, Sam Cooke, and Sam Phillips, there are multiple surprises and delights here, carrying on and extending all the themes, fascinations, and passions of his groundbreaking earlier work. One of NPR's Best Books of 2020 One of Kirkus Review/Rolling Stone's Top Music Books of 2020 One of No Depression's Best Books of 2020

For almost four decades, the name 'Bill Millar' has been synonymous with the very best in British music writing - from his pioneering books on the Drifters and the Coasters, to his long-running 'Echoes' column in Record Mirror, Let It Rock and Melody Maker, to the authoritative sleevenotes he has penned for dozens of albums. This fabulous new book collects together 49 of his best pieces - some previously unpublished - in a thematic compilation covering hillbilly, rockabilly, R&B, rock' n' roll, doo-wop, swamp pop and soul. Includes essays on the early Sixties doo-wop renaissance, acapella, the swamp pop phenomenon and blue-eyed soul, as well as detailed profiles of some of the most fascinating and influential personalities of each era: Johnnie Allan, Rod Bernard, Bob Bertram, Clarence 'Gatemouth' Brown, Roy Buchanan, Roy C, Ray Campi, Johnny Carroll, Roy Clark, Albert Collins, Mac Curtis, Big Al Downing, Charlie Gracie, Herb Hardesty, Dale Hawkins, Screamin' Jay Hawkins, Cecil Holmes, Ivory Joe Hunter, Bull Moose Jackson, Etta James, Jerry Jaye, Young Jessie, Johnny & The Hurricanes, Benny Joy, Baker Knight, Sonny Knight, Jerry Lee Lewis, Lonnie Mack, Stick McGhee, Big Jay McNeely, Bob Montgomery, Lattie Moore, Jimmy Murphy, Eddie Noack, Tony Orlando, Mike Pedicin, Carl Perkins, the Platters, Marvin Rainwater, John Richbourg, Tommy Sands, Major Bill Smith, the Velvets, Link Wray and Big Jim Wynn. Passionate and knowledgable, music journalism rarely comes much better than this.

Peter Guralnick, dean of rock-and roll-storytellers, writes in the introduction to Johnny’s Cash & Charley’s Pride, “Peter Cooper has always been in the mix.” Whether spending time with Johnny Cash or Kris Kristofferson, playing bass for Loretta Lynn, discussing songwriting with Taylor Swift, or introducing the Grateful Dead’s Robert Hunter to Porter Wagoner, Peter Cooper has continually found himself in the presence of music royalty and the recipient of countless intimate conversations, asides, and confidences. In Johnny’s Cash & Charley’s Pride: Lasting Legends and Untold Adventures in Country Music, Cooper chronicles his many “in the mix” tales since arriving in Nashville in 2000 to cover the country music scene for the Tennessean. Filled with untold stories and newly revealed histories, it is an informal yet well-studied inside view of country music’s greatest characters and pivotal moments. Now a senior director at the Country Music Hall of Fame, Cooper’s stories are akin to a curated behind-the-scenes tour of country music. Spanning nineteen chapters, Cooper offers an original take on the formative days at WSM and engaging introductions to an ensemble cast of country music’s icons, quirks, and golden-but-hidden personalities. With a gem on every page, Cooper has crafted a perceptive, smiling, and atypical immersion into the world of country music that will keep any music fan engaged with its wit, passion, and authenticity.

A major figure in American blues and folk music, Big Bill Broonzy (1903-58) left his Arkansas Delta home after World War I, headed north, and became the leading Chicago bluesman of the 1930s. His success came as he fused traditional rural blues with the electrified sound that was beginning to emerge in Chicago. This, however, was just one step in his remarkable journey: Big Bill was constantly reinventing himself, both in reality and in his retellings of it. Bob Riesman's groundbreaking biography tells the compelling life story of a lost figure from the annals of music history. "I Feel So Good" traces Big Bill's career from his rise as a nationally prominent blues star, including his historic 1938 appearance at Carnegie Hall, to his influential role in the post-World War II folk revival, when he sang about racial injustice alongside Pete Seeger and Studs Terkel. Riesman's account brings the reader into the jazz clubs and concert halls of Europe, as Big Bill's overseas tours in the 1950s ignited the British blues-rock explosion of the 1960s. Interviews with Eric Clapton, Pete Townshend, and Ray Davies reveal Broonzy's profound impact on the British rockers who would follow him and change the course of popular music. Along the way, Riesman details Big Bill's complicated and poignant personal saga: he was married three times and became a father at the very end of his life to a child half a world away. He also brings to light Big Bill's final years, when he lost first his voice, then his life, to cancer, just as his international reputation was reaching its peak. Featuring many rarely seen photos, as well as a foreword by the celebrated music writer and historian Peter Guralnick, "I Feel So Good" will be the definitive account of Big Bill Broonzy's life and music.

Hawk - the Screamin' Nighthawk - is a legendary bluesman, an uncompromising musician, and a cantankerous old man awash in memories of road trips and one-night stands, recording sessions and barroom escapades, love affairs and compulsive, inspired, down-home music making. As Hawk travels back down Highway 61 to Yola, Mississippi, for what may be his last gig, the novel immerses us in the world of Hawk, his friends and family, the nursemaid manager he craftily evades, and the beautiful young blues singer who alone can crack Hawk's crusty exterior.

Peter Guralnick - in this, his only novel to date - has drawn on his rich storytelling skills and his intimate knowledge of the blues to create an unforgettable character, and to give us a rare, unvarnished, utterly compelling look at a life in music.

For many diehard music fans and critics, Oklahoma-born James Talley ranks among the finest of American singer-songwriters. Talley's unique style-a blend of folk, country, blues, and social commentary-draws comparisons with the likes of Woody Guthrie, Merle Haggard, and Johnny Cash. In this engaging, down-to-earth memoir, Talley recalls the highs and lows of his nearly fifty-year career in country music. Talley's story begins in the hardscrabble towns of eastern Oklahoma. As a young man, he witnessed poverty and despair and worked alongside ordinary Americans who struggled to make ends meet. He has never forgotten his Oklahoma roots. These experiences shaped Talley's artistic vision and inspired him to write his own songs. Eventually Talley landed in Nashville, where his first years included exciting brushes with fame but also bitter disappointments. As an early champion of social justice causes, his ideals did not fit neatly into Nashville's star-making machine. By his own admission, Talley at times made poor business decisions and trusted the wrong people. His relationship with the country music industry was-and still is-fraught, but he makes no apology for staying true to his core principles. Nashville City Blues offers hard-won wisdom for any aspiring artist motivated to work hard and handle whatever setbacks might follow. Readers will also gain valuable understanding about the country music industry and the inescapable links between commerce and artistry.

Hailed as "a masterwork" by the Wall Street Journal, Careless Loveis the full, true, and mesmerizing story of Elvis Presley's last two decades, in the long-awaited second volume of Peter Guralnick's masterful two-part biography. Winner of the Ralph J. Gleason Music Book Award Last Train to Memphis, the first part of Guralnick's two-volume life of Elvis Presley, was acclaimed by the New York Times as "a triumph of biographical art." This concluding volume recounts the second half of Elvis' life in rich and previously unimagined detail, and confirms Guralnick's status as one of the great biographers of our time. Beginning with Presley's army service in Germany in 1958 and ending with his death in Memphis in 1977, Careless Love chronicles the unravelling of the dream that once shone so brightly, homing in on the complex playing-out of Elvis' relationship with his Machiavellian manager, Colonel Tom Parker. It's a breathtaking revelatory drama that for the first time places the events of a too-often mistold tale in a fresh, believable, and understandable context. Elvis' changes during these years form a tragic mystery that Careless Love unlocks for the first time. This is the quintessential American story, encompassing elements of race, class, wealth, sex, music, religion, and personal transformation. Written with grace, sensitivity, and passion, Careless Love is a unique contribution to our understanding of American popular culture and the nature of success, giving us true insight at last into one of the most misunderstood public figures of our times.

Robert Johnson, while probably the most influential of all blues guitarists, is also one of the most obscure. Recognized as an influence on musicians like Eric Clapton and the Rolling Stones, Johnson was poisoned by a jealous husband in 1938--at the age of twenty-seven. This untimely death, his supposed bargain with the devil that enabled him to play guitar, and the ferocity and tormented originality of his work have given rise to a legend that has inspired a Hollywood movie and numerous stories. Peter Guralnick?s extended essay about the life of the man and the myth, and of the place and time that produced both, illuminates much of the obscurity around Johnson without forfeiting any of the mystery.

Welcome to the first volume in an exciting new annual series that celebrates the year's best American writing about music and its culture, as selected by one of the genre's preeminent practitioners. Covering the gamut of contemporary styles--rock, pop, rap, jazz, blues, country--Guralnick has chosen the kind of pieces that send you right to the record store, by both established writers and bright new talents. With thirty selections drawn from more than a hundred sources, including mainstream magazines like the"New Yorker," music journals like "Spin," and tiny 'zines and websites where the scribes of the new century are found, this collection will be indispensable for music lovers and lovers of wonderful writing alike.

From the 1980s through the early 2000s, a golden era for southern roots music, producer and three-time Grammy winner Scott Billington recorded many of the period’s most iconic artists. Working primarily in Louisiana for Boston-based Rounder Records, Billington produced such giants as Irma Thomas, Charlie Rich, Buckwheat Zydeco, Johnny Adams, Bobby Rush, Ruth Brown, Beau Jocque, and Solomon Burke. The loving and sometimes irreverent profiles in Making Tracks reveal the triumphs and frustrations of the recording process, and that obsessive quest to capture a transcendent performance. Billington's long working relationships with the artists give him perspective to present them in their complexity—foibles, failures, and fabled feats—while providing a vivid look at the environs in which their music thrived. He tells about Boozoo Chavis’s early days as a musician, jockey, and bartender at his mother’s quarter horse track, and Ruth Brown’s reign as the most popular star in rhythm and blues, when the challenge of traveling on the "chitlin’ circuit" proved the antithesis of the glamour she exuded on stage. In addition, Making Tracks provides a widely accessible study in the craft of recording. Details about the technology and psychology behind the sessions abound. Billington demonstrates varying ways of achieving the mutual goal of a great record. He also introduces the supporting cast of songwriters, musicians, and engineers crucial to the magic in each recording session. Making Tracks sings unforgettably like a "from the vault" discovery.

This vivid celebration of blues and early rock 'n' roll includes some of the first and most illuminating profiles of such blues masters as Muddy Waters, Skip James, and Howlin' Wolf; excursions into the blues-based Memphis rock 'n' roll of Jerry Lee Lewis, Charlie Rich, and the Sun record label; and a brilliant depiction of the bustling Chicago blues scene and the legendary Chess record label in its final days. With unique insight and unparalleled access, Peter Guralnick brings to life the people, the songs, and the performance that forever changed not only the American music scene but America itself.